Delores Taitano Quinata

Bilembaotuyan Maker & Player

CHamoru

Hagatna, Guam

“I am honored not just for the recognition of my dedication or skill, but more for the fact that I am given an opportunity to represent this once nearly forgotten practice in my culture and share its story with an even wider audience.”

Delores Taitano Quinata

Demonstrating the bilembaotuyan to students at the elementary school where I work as a Librarian. Photo courtesy of S. Unpingco..

Shaping pågu (wild hibiscus) to make the bow of bilembaotuayan. Photo courtesy of S.T. Calvo.

Recording the instrument for the book launch of a bilembaotuyan children’s book. Photo courtesy of S. Quinata.

Completed bilembaotuyans at my home studio. Photo courtesy of Delores T. Quinata.

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Making & playing the only CHamoru instrument

Delores Taitano Quinata is an indigenous CHamoru of Guahan (Guam), a Pacific island in the Marianas Archipelago. Quinata has always had a great interest in music. She enrolled in band classes during her time in school, piano class in college, and played saxophone in the Guam Territorial Band. As a child, she had heard about the bilembaotuyan, the only cultural instrument of the CHamoru people, but had never seen or heard it played live. When the opportunity presented itself for Quinata to learn how to make and play the bilembaotuyan from the last living master of the instrument, she instinctively jumped at the chance. After her mentorship with Tun Jesus Crisostomo, Quinata felt drawn to share her experience with the island community by providing presentations, demonstrations, and workshops to teachers, students, cultural practitioners, and a wide range of individuals curious to learn more about this traditional instrument. She has since gone on to represent this art form in various performances and festivals, including the 7th and 12th Festival of the Pacific Arts. Quinata has passed on her knowledge and experience to her three children, ensuring that this instrument will continue to be heard for generations to come.

What does the Taproot Fellowship mean to you and how will it affect your practice?

Being recognized as a Taproot artist is truly the honor of a lifetime. I am honored not just for the recognition of my dedication or skill, but more for the fact that I am given an opportunity to represent this once nearly forgotten practice in my culture and share its story with an even wider audience. Being a part of this Taproot community connects me with fellow artists committed to preserving our rich cultures, further inspiring me to continue my commitment to passing this knowledge for generations to come.

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Delores Taitano Quinata

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