Bruce Bradley

Tap Dancer

African American

Flint, MI

“Being a Taproot fellow fosters a heightened sense of self-esteem, which helps fuel my lifelong endeavor to reach my full potential as a human being.”

Bruce Bradley

Photo courtesy MY CITY MAGAZINE

Creative Expressions Dance Studio Class. Photo courtesy Bruce Bradley

Tapology Festival Class. Photo courtesy Bruce Bradley

Photo courtesy Flint Institute of Music

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A rich resonance for communities of color

Alfred “Bruce” Bradley has worked to support tap dance for 40 years and communities in both Flint, Michigan, and nationally for over 20 years. Tap dance, a traditional art that emerges from Black history, continues to have a rich resonance for communities of color. Bruce teaches, organizes, and presents performances of tap dance especially accessible to Black communities in the greater Flint area, especially in urban schools and neighborhoods. Though initially gaining recognition as a theater performer, Bruce Bradley came to tap dance relatively late. Despite only beginning to study tap dance in his 30s, he went on to study with Kevin Ramsey (a protégé of renown tap dancers Chuck Green and Henry LeTang) as well as the co-founder of the Detroit-based tap legends The Sultans, Lloyd Storey, who danced with Bill “Bojangles” Robinson. Between time spent touring and visiting his mentors, he continued to live in Flint and was thereby largely self-taught. He performed widely, from New Orleans to Zürich. However, he always brought his new repertoire back to his students in Flint.

What does the Taproot Fellowship mean to you and how will it affect your practice?

Being a Taproot fellow fosters a heightened sense of self-esteem, which helps fuel my lifelong endeavor to reach my full potential as a human being.

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